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HUREN / THE FINITE TRUFFLE / THE CYBERNETIC ORCHESTRA / DOGHAT

HUREN / THE FINITE TRUFFLE / THE CYBERNETIC ORCHESTRA / DOGHAT


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Bloodsucking Freaks (1976)

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sinsmusik:

Remix by HUREN (http://www.discogs.com/artist/Huren)
Original song by ϟ†Nϟ (facebook.com/SINSMUSIK)
Part of an upcoming ϟ†Nϟ EP on Black Bvs Records - Release date May 31st.
(http://blackbusrecords.tumblr.com/ & http://blackbusrecords.bigcartel.com/)
Video Tribute to HARDWARE by ϟ†Nϟ

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vellocets:

Angst wird sowohl im Deutschen als auch im Amerikanischen verwendet.

vellocets:

Angst wird sowohl im Deutschen als auch im Amerikanischen verwendet.

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Zhark Berlin in this Documentary among the greats!

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kristeljax:

That awkward moment when you realize you look like Brian Eno.

kristeljax:

That awkward moment when you realize you look like Brian Eno.

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criterioncorner:

Chris Marker’s Split-Second Cameo in SANS SOLEIL 
so far as elusive figures go, chris marker isn’t exactly j.d. salinger or anything, but the renowned visual artist is about as far removed from kevin smith as contemporary filmmakers get (er… “living filmmakers” might be the more accurate term). Marker typically represents himself with the image of a cat, and his actual appearances are rare enough for each to qualify as minor events — his brief cameo in Wim Wenders Tokyo-Ga is so jarring that it can unmoor viewers from the rest of the film.
today i re-watched Marker’s masterpiece Sans Soleil, in part because we’re discussing it on this week’s episode of Operation Kino (Cinema Blend’s podcast, on which i’m one of the co-hosts), and in part because it’s… you know… a day. if i had noticed Marker’s split-second cameo / self-portrait before, i hadn’t remembered. but there he is, just for a frame or two, his face in a camera on a monitor in a camera, on the streets of Tokyo. i considered getting off my ass and retrieving my Canon 7D for the screen grab, but i decided that my iPhone was somehow a more appropriate means of recording this image (i almost feel like this is a spoiler, but you can find it at the 56:06 mark).
Criterion’s Blu-ray of LA JETEE and SANS SOLEIL is in stores now.

criterioncorner:

Chris Marker’s Split-Second Cameo in SANS SOLEIL 

so far as elusive figures go, chris marker isn’t exactly j.d. salinger or anything, but the renowned visual artist is about as far removed from kevin smith as contemporary filmmakers get (er… “living filmmakers” might be the more accurate term). Marker typically represents himself with the image of a cat, and his actual appearances are rare enough for each to qualify as minor events — his brief cameo in Wim Wenders Tokyo-Ga is so jarring that it can unmoor viewers from the rest of the film.

today i re-watched Marker’s masterpiece Sans Soleil, in part because we’re discussing it on this week’s episode of Operation Kino (Cinema Blend’s podcast, on which i’m one of the co-hosts), and in part because it’s… you know… a day. if i had noticed Marker’s split-second cameo / self-portrait before, i hadn’t remembered. but there he is, just for a frame or two, his face in a camera on a monitor in a camera, on the streets of Tokyo. i considered getting off my ass and retrieving my Canon 7D for the screen grab, but i decided that my iPhone was somehow a more appropriate means of recording this image (i almost feel like this is a spoiler, but you can find it at the 56:06 mark).

Criterion’s Blu-ray of LA JETEE and SANS SOLEIL is in stores now.

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Fad Gadget / Frank Tovey 1956 - 2002